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A National Post Most Anticipated Book of 2011...
“The Blue Light Project will haunt readers for decades to come...
Laura Moss, editor Canadian Literature
“Timothy Taylor is without a doubt one of Canada's finest writers.
Steven Galloway, author of Cellist of Sarajevo
“Unforgettable. An exhilarating, at-times alarming read.
Ayssa York, author of Effigy
 
In a very near future that is both familiar and troubling, three lives intersect in a time of crisis. 
A controversial talent show involving children is midway through taping when a man storms the television studio and takes over a hundred hostages. He’s armed with an explosive device, but expresses no motive and makes just one demand: an interview with journalist Thom Pegg.
It's a strange request, everyone agress. A disgraced former investigative journalist, caught fabricating sources, Pegg is down on his luck and working for a lowly tabloid. Reluctant, but pressured by federal authorities, Pegg agrees to meet the hostage taker. So it is that Pegg learns why he was chosen and the horrifying truth of what the hostage taker is trying to achieve.
Crowds of people congregate near the studio, anxiously waiting along with the outside world. In the confusing perfect storm of news and rumor, two people meet and forge an immediate connection. Eve is a former Olympic gold medalist and much loved local daughter, who jogs the streets at night, running from her own past glories. Rabbit is a secretive street artist working to complete a massive street art project, which involves installatioins on the rooftops of hundreds of buildings throughout the city.
It's a frightening time. Yet rising to its heart-stopping climax, The Blue Light Project surprises the city, and the reader, with the power of beauty and the unexpected sources of faith and light that may be found in even our darkest hours.
--  Knopf (Canada) and Soft Skull (US)
And here's the US cover, published by Soft Skull:
 

 

Silent Cruise, Timothy Taylor's first collection of short fiction, is a long, lush series of stories that will delight fans of his enormously successful debut novel, Stanley Park. Several of these strangely original stories are obliquely connected with each other (either through strange thematic turns or common characters), and they share with the novel a setting in western Canada and an interest in food.
 
In his first novel, Stanley Park, Taylor brought readers into the inner workings of the Vancouver culinary scene, writing evocatively about everything from divine local ingredients to kitchen politics. In Story House, he takes on the rarefied world of architectural design – with some boxing, fishing and reality TV thrown in.

Graham and Elliot Gordon are half-brothers, six months apart, the only sons of Packer Gordon, a famous architect. Graham is the natural son of Packer and his wife. Elliot is the product of Packer’s dalliance with a mistress. The boys are openly hostile towards each other, always have been, and when they reach their mid-teens, Packer decides they will settle their differences in a boxing ring. He takes them to Pogey Nealon, a retired fighter who runs a gym out of the basement of his house on Vancouver’s Downtown Eastside. There, after eight weeks of training, the brothers box three rounds that will change their lives forever, as their father watches it all from a distance far greater than ringside: through the lens of his Bolex camera
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Aspiring food artiste Jeremy Papier, in Timothy Taylor's debut novel, Stanley Park, attempts to juggle the finances of his fledgling eatery, The Monkey's Paw, and his conflicted feelings about his attractive sous-chef. Meanwhile, on the other side of downtown Vancouver, his anthropologist father camps out in Stanley Park to study a group of homeless men. Impending financial ruin drives Jeremy into the clutches of an evil coffee magnate while his father delves deeper into the indigent lifestyle, probing the mystery of two dead children once found in the park as well as his failed marriage to Jeremy's mother. A tragicomic denouement takes the characters back to their human roots as hunter-gatherers in the 21st century.